Posts tagged as 'Fred Perry'
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Thursday, 21st Aug 2014
Pictured above, “Amy Winehouse” by Horace Panter
The Amy Winehouse Foundation has recently launched a new and innovative project, targeted towards young people from the Borough of Camden that aspire to work in the music industry. The Foundation strives to help young people in need, already giving support to many young people through various schemes and programmes.
Camden Music Works – supported by the Amy Winehouse Foundation - sees 10 young people aged 18-24 who are not in full-time employment, education or training, embark on a 6-week long scheme designed to provide individuals with the necessary skills, knowledge and experience to gain a successful career in the music world.
The scheme has partnered with iconic labels and companies such as Camden Lock Market Ltd, Tower 47, MTV, Island Records and Black Butter Records - home of Fred Perry Sub-Culture alumni Clean Bandit, Gorgon City, Bi-Polar Sunshine and Joel Compass.
With this project, The Amy Winehouse Foundation hopes to open barriers for individuals by gaining the right experience to increase their chances of beginning a career in an industry they are passionate about.
Camden is an area of London that has strong links with the music. Going back to the mid-60’s, a disused railway yard was turned into a counter-culture landmark - the infamous Camden Roundhouse – still very much a relevant music venue today.
Over the course of a decade, the Roundhouse became a significant venue for UK underground music events, as well as staging some of the most experimental, controversial and memorable performances of the 60’s. Pink Floyd, The Rolling Stones, David Bowie, The Clash, and the Sex Pistols are just some of the acts who performed there.
The following decade saw a number of new venues spring up, including several that continue to this day. “Dingwells” (1973), “The Music Machine” (aka Camden Palace) (1977) and the “Electric Ballroom” (1978).
Meanwhile, pubs like “The Falcon”, “Dublin Castle”, “Monarch” and “The Hawley Arms” also began putting on gigs. Amy Winehouse herself was a regular at both the Monarch and the Hawley Arms, where she often performed or played DJ sets. These venues and their openness to music continued to cultivate and diversify the Camden underground music scene.
New audiences were flocking to Camden with the likes of “The Underworld” - a predominantly punk, metal and hard-rock venue and the “Jazz Café” (1990), which was one of Amy’s favourite venues to perform in. Her love for Jazz and Soul were prominent in her music, influenced by Dinah Washington and Thelonious Monk.
In the 70s and 80s, Camden Lock Market was a mecca for subcultural clothing. From Punk to New Romantics, Mod to Skinhead, Camden immediately stood out from other London markets for its eclectic personality that ran counter to mainstream fashion. The stalls have expanded and diversified with time and still provide some of the most individual clothing Britain has to offer.
Camden’s deep music and counter culture heritage make it a natural fit to cement Amy’s legacy and nurture a new generation of musicians. Especially, as the area was so close to Amy’s heart.
Thanks to Horace Panter – www.horacepanterart.com
View our new season Amy Winehouse Foundation collaboration online here > http://bit.ly/1nHklTW
Thursday, 14th Aug 2014
As part of our men’s Sports Authentic range, we recently launched a new collection of archive-inspired track jackets (See the range online here > http://bit.ly/1lDbEtf)
Inspiration for the collection came from the Britpop movement of the 90’s, taking inspiration from the Britpop bands of the era such as Blur, Pulp, Elastica and Oasis amongst others.
As a brand Fred Perry also has its own unique heritage and history surrounding the track jacket. Fred Perry started producing track jackets as part of our main sportswear line in the 1970’s, where they quickly found popularity as a casualwear item alongside being used as a sports jacket.
By the 1980’s the track jacket had become an essential piece of casual clothing, seen all over the country from nightclubs to tennis courts to terraces.
When designing the new Sports Authentic track jacket collection, we delved deep into the Fred Perry archives - alongside taking inspiration from the 90s Britpop movement – looking at past designs to ensure the new collection stayed true to the roots of the brand.
Here are some images we found from Fred Perry Sportswear catalogues, originally from the early 1980's. Whilst our design remains authentic, perhaps it’s a good thing our marketing has moved forward somewhat…
View our new range of Sports Authentic track jackets online here > http://bit.ly/1lDbEtf
Our Sports Authentic Track Jackets are available now in Fred Perry Authentic stores, find your nearest store here > http://bit.ly/1ojcdgu
Thursday, 29th Aug 2013
Originally designed as a piece of performance wear, the humble cycling jersey has grown to represent over a century of stories and tales.
The designs symbolise a moment in time - a particular team, a significant race, an epic battle, a sporting hero. Some jerseys become iconic and sought after pieces of memorabilia, earning themselves a place in the 'hall of design classics'.
Jersey design has continuously developed over the years, team sponsorship alongside technological advances in materials have both played a part in the evolution - however some features remain unchanged.
Typically the back hem is scooped, to help keep the rider's back covered whilst bent over in racing position. The back of the shirt also features a combination of fastened and open pockets - it would be no good having them on the front of the body as the contents would fall out mid-ride. A long zip fastening to the front can be opened to allow for ventilation.
The cuts are traditionally slim and long, helping to reduce air resistance and allowing the fabric to 'perform'; wicking the moisture it needs to sit close to the skin. Sponsors will use a combination of print, embroidery or applique to showcase their names - colours, panels and tipping combinations become synonymous with specific teams.
During the late 1950s, jerseys worn by road riding style icons such as Tom Simpson and Jacques Anquetil made their way from performance wear to streetwear. Slim fitting and full of continental allure, the designs held huge appeal for the jazz loving modernists of that time. The fact that many of the shirts were crafted in merino wool was an added bonus – the breathable fabric was perfect for keeping fresh after a spot of all night dancing. Designs from this period have long continued to be a mainstay of the mod casual wardrobe.
This season's Bradley Wiggins Collection characteristically references jerseys from the Golden Age of cycling. Elements of vintage shirts are explored and blended with signature Fred Perry details, twin tipping colours lifted into colour block panels, a champion inspired stripe knitted into cuffs. Bradley has been involved in each and every stage of the design process, bringing his own ideas, inspirations and style and in turn, each shirt in the collection comes to to tell a story.