Subverting a classic, the made in England tennis bomber is recontextualised this season, with a printed British DPM camouflage pattern and a Stewart tartan lining. Our sporting heritage combines with strong subcultural references, resulting in a unique interpretation of the iconic silhouette and an unexpected pairing of two decidedly British patterns.

Whilst tartans were historically worn to serve as a symbol of distinction, allowing the wearer to be recognised, British DPM (Disruptive Pattern Material) was designed to disguise, ensuring the wearer blended into the surroundings. Officially used by British forces as well as many other armies worldwide, particularly in former British colonies; the pattern made the ironic transition from military uniform to subculture uniform in a matter of decades.

Camouflage rose to prominence during the 1960s as part of the counterculture appropriation of military surplus clothing. In stark contrast to its intended purpose, anti-war protestors took to adding peace signs and symbolic writings to their jackets. The rebellious links to the pattern continued to flourish during the late 1970s and 80s, particularly within anti-establishment punk and skinhead movements.

Although commonly associated with the 80s uniform of bleached jeans, braces and button up shirts, British DPM has continued to play a part in music-driven subcultures right up until today; be it the 90s Junglist kids, techno heads or 60s revivalists. A truly cultural phenomenon, in a reverse of its intended purpose, camouflage print has been used by generations not only to establish uniformity amongst each other, but to communicate individual ideas, values and beliefs.

Crafted in waxed British Millerain quality cloth, the camouflage bomber jacket has been produced in highly limited quantities and is available exclusively online and in Laurel Wreath Collection shops.

This season, our men’s Laurel Wreath Collection is complemented by a new selection of footwear. A key style is the Ray shoe - infusing classic British styling with contemporary design, timeless leather Oxford brogue uppers are offset by thick gum coloured soles, complete with over-sized hand stitch detailing.

Ray Embossed Leather Shoe - click here to view

A delicate embossed pattern brings depth and texture to the traditional style, whilst thin waxed cranberry laces add a hint of colour. Finishing touches include a soft leather lining, our signature Stewart tartan insole and a Laurel Wreath embossed leather tab to the heel. Team with slim trousers, a graphic-detail knit and this season's made in England raincoat.

See the full men's Laurel Wreath Collection online here, or use our Shop Finder page for your nearest location.

For Spring/Summer 2013, our women's Laurel Wreath Collection takes inspiration from 1950s British youth culture - teddy girl tailoring combines with a bold use of pattern to bring new direction to classic pieces.

Floral Print Cardigan and Fred Perry Shirt - click here to view the collection.

Print is key - vintage florals are abstracted and darkened, beautiful silk blend prints feminise solid black knits and the three button shirt. A mostly monochromatic palette is mellowed with tones of golden yellow and hazy blue. 

Accessories have been reworked for spring, with ostrich effect high-shine leather and rose gold coloured hardware bringing a sophisticated feel to classic styles. A new selection of footwear completes the look - key styles include the Lyttleton patent leather loafer, topped with tassels and finished with a seamed moccasin detail around the toe. 

The Spring 2013 women's Laurel Wreath Collection is available online and in our Laurel Wreath Collection shops now.