Posts tagged as 'Limited Edition'
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Friday, 21st Mar 2014
We are proud to introduce anarchic and influential artist, Jamie Reid, to the 2014 Laurel Wreath Blank Canvas project.
Accredited with defining the look of the late 70s punk rock scene, Jamie’s work includes one of the most famous album covers of all time, Never Mind the Bollocks, Here’s the Sex Pistols. Some 40 years on his work continues to inspire individuality and free-thinking.
The Blank Canvas project itself acts as a platform for thoughts, ideas and concepts that connect with the Laurel Wreath and what it stands to represent. Each season artists, brands or collectives are invited to customise individual pieces, in turn bringing a fresh interpretation of both their work and the garment. Jamie Reid's three designs speak of both his wit and sense of rebellion.
Belfast born, London raised, Jamie Reid was brought up in a politically active environment. During the 60s, he attended Art College with future Sex Pistols manager Malcolm McLaren. A committed anarchist from a young age, he left the capital in the early 70s, for France, and co-founded anarchistic publishing house Suburban Press. It was during this time he developed his trademark ransom note style graphics, that went onto define the look of punk.
His return to London in the mid-70s led him to the newly formed Sex Pistols. He designed the cover for the group’s debut (and only) studio album, Never Mind the Bollocks, Here’s the Sex Pistols and also co-wrote the lyrics of one of the groups most popular songs Anarchy in the UK.
The artist has continued to dedicate his work to thought provoking political ideas and messages. His touring exhibition ‘Peace is Tough’ reached cities from New York to Tokyo. The tour presented an archive of imagery spanning the decades, elements of which are present in extremely important international collections, including that of the Tate, acknowledging Reid’s importance in the narrative of 20th and 21st century culture.
In his three symbolic Blank Canvas shirt designs Jamie is inspired by three defined periods of work.
A SHORT SHARP SHOCK
Using the classic Black/Champagne twin tipped shirt as a base, the artist has applied a screen-print of his trademark ransom cut-out letters to carry the message A Short Sharp Shock. The phrase was originally used in Gilbert and Sullivan’s 1885 comic opera, The Mikado, which later became popular in music and symbolises Reid’s connection to the punk movement. The shirt is finished with a bronze embroidered Laurel Wreath and a white screen printed Jamie Reid signature on the hem including his signature OVA symbol.
PEACE IS TOUGH
Using the Fred Perry shirt in its purest form as a base, Jamie has applied multi-coloured screen prints and embroidery to illustrate Boudicca shaking her spear at the Houses of Parliament. The imagery, inspired by his time at anarchistic publishing house Suburban Press, symbolises the artists uprising to order and the establishment. The back of the shirt is fully screen printed in red with Delacroix’s Liberty Leading the People in revolt, framed by the towers of Croydon. An embroidered OVO logo couples with a Peace Is Tough print to complete the message. Finished with a black Laurel Wreath embroidery.
TIME FOR MAGIC SHIRT
In his third and final design, Jamie uses the solid black shirt to showcase some of his more recent work. The screen-printed Hare, a symbol of free-thinking, is a direct signal to Joseph Beuys, whose work ‘Free International University’ acted as a blueprint for numerous counter-cultural initiatives of the late 1960s. A combination of print and embroidery is used to create a collage of OVAs to the front. Finished with bronze Laurel Wreath embroidery.
All three designs have been produced in limited numbers for both men and women and come delivered in a special edition Jamie Reid printed envelope. You can view more detailed product images and shop the collection on our website.
Thursday, 24th Nov 2011
Swedish store Nitty Gritty are celebrating their 20th anniversary this season, with a selection of specially created garments to mark the occasion. Fred Perry has contributed the iconic M12 shirt, with Nitty Gritty's signature orange applied to our trademark twin tipping. When the shop originally opened in Stockholm in 1991; it was designed to be an alternative to the city's mainstream stores, catering for the local Mod and underground scenes.
The name 'Nitty Gritty' comes from the 1963 Shirley Ellis song of the same name, after the 7" was randomly pulled from a pile of vinyl at a brainstorming session. Nitty Gritty have been loyal stockists of Fred Perry for the past 20 years, and we're delighted to help them celebrate two decades in the business.
The limited edition Fred Perry x Nitty Gritty M12 shirt will be available soon - find out more HERE
Monday, 23rd May 2011
This week sees the launch of a small number of limited edition Re-issue Shirts, inspired by four of the tribes and subcultures who have helped to build Fred Perry's unique history and heritage.
The 1957 Fred Perry shirt celebrates the story behind how our twin-tipping came to be. Originally requested by die-hard West Ham football fans, the supporters approached famous retailer Lilywhites of London to see if their club colours could be added to their favourite cotton pique shirt. Lilywhites in turn approached Fred Perry, and the tipping was duly added.
Made in England, the 1957 Re-issue Shirt has been created in a slightly lighter cotton pique with a soft, vintage finish. Keeping as close as possible to the very first twin-tipped shirt, the buttons have been left unbranded and the woven back neck label is almost identical to that of the 1957 original.