Posts tagged as 'Photography'
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Monday, 22nd Jul 2013
We caught up with Dean Chalkley, the man behind the lens at our Twisted Wheel Collection shoot.
Fred Perry had seen my Young Souls project and knew that there was a love and passion for Northern Soul – that project, in particular, showcases that there’s a younger generation who are now really into that music. When it came to the Twisted Wheel shoot, we talked about the approach and really wanted to capture the environment – the essence of the moves, the dancing. There’s a joy in it, which is completely real.
For this shoot, it was absolutely vital that we captured dancing and movement whilst showcasing the clothing. It’s a contemporary study – looking through the shoot, we can see that each person is in their element. There’s a great picture of Tomas, where his face is completely in the moment. He’s not smiling, he’s not posing for the camera; his focus is completely on dancing. Similarly there’s a shot of Emma, where she’s concentrating on her moves but there’s a lot of composure – Northern Soul dancing has a high level of energy and crazy moves, but there’s often a lot of grace and composure there too. It’s almost like a gymnastic performance – it’s like doing a vault, you have to land it properly.
Music is a vital influence for me and my work. Some people think that I’m actually a music photographer – I love music, but for me it’s so much more than a collection of notes and lyrics on a page that’s been performed incredibly well. For me, music is an all-encompassing thing – for example, when you think of Northern Soul, there were plenty of live bands that appeared at the all-nighters, but the scene was largely based around records. People will adore a record, because it makes you feel a particular way, it makes you adopt the essence of the scene. That links up music and photography for me, because I might go see a band play, and then when I photograph that band, I’ll work with them to try and apply the essence of their sound to the shoot. When you look at Northern Soul records, when they’re played out to an audience that are really into it, the dancefloor itself becomes the illustration of this sonic experience.
It’s really nice to see how Fred Perry have peppered little details through the designs – the rose, the badges. The Northern Soul scene is very diverse – there are the styles that are specific to the movement; the baggy trousers, the swing skirts, but the Twisted Wheel itself actually started out as a Beatnik club. The thing I love about the Northern Soul look is that it’s actually all-encompassing. Obviously things like the Fred Perry shirt have travelled throughout the whole of that period, they’ve always been worn on that scene – not only are they great looking, but they’re very practical, and perfect for dancing.
The models featured in the shoot are genuinely into it. They’re real people; they’ve not been selected from an agency because they fit a certain aesthetic. They have a depth of character that makes them a perfect fit not only to Fred Perry; but to the Twisted Wheel Collection itself.
Wednesday, 10th Jul 2013
A new exhibition, simply titled 'Mods' starts this Saturday at the Northampton Museum and Art Gallery. The exhibition has been described as a celebration of mod culture, offering an explanation of why the movement is so enduring and important. Featured content covers the original mods of the late 50s and 60s, the revivalists of the late 70s and early 80s, as well as the movement's re-emergence over the past decade. In an exclusive first look, the exhibition will feature the first public showing of photographer Jamie Garbutt's Mods and Sods series, showing contemporary interpretations of modernist scenes.
Music, fashion, style and scooters are the key focus of the various displays, including video interviews, photographs and artefacts; many of which have been donated by local devotees. Members of leading mod revival band Secret Affair have helped to support the exhibition, loaning two vintage stage outfits and a 1968 Fender Telecaster to the display. The exhibition runs from Saturday 13th July - 19th September, with a series of live music events taking place alongside the show.
Monday, 13th May 2013
Photographer Harry Papadopoulos takes a step back in time to explore the glamour and grit of the 1980s post punk music scene, in new exhibition What Presence!
Taking place at the McManus Art Gallery & Museum, Dundee, the new exhibition offers a glimpse behind the lens of one of Scotland’s most legendary music photographers, featuring the likes of Aztec Camera, The Birthday Party, The Specials and The Clash.
A self-taught photographer, Papadopoulos began his career by selling photographs to gig-goers outside the Apollo in the late 1970s. He later became a staff photographer for Sounds magazine where he captured a number of music stars on film: from Blondie to David Bowie, the Associates to Devo, by way of Joy Division, Bryan Ferry and Siouxsie and the Banshees. A cult figure on the music scene, Papadopoulos’ London flat became a second home to fellow Scots migrants such as Orange Juice, Aztec Camera, Josef K and The Bluebells.
What Presence! is a touring exhibition from the Streetlevel Photoworks in Glasgow, which was co-curated by singer from The Bluebells, Ken McCluskey. Taking place until Sunday 11th August, the exhibition will be accompanied by a series of talks, impromptu music events and workshops.
All images © Henry Papadopoulos.