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Don Letts - Culture Clash, Chapter 9

Dread Meets 
Punk Rockers    

By 1976 the writing was on the wall. John Lydon and the other guys had taken a big swipe at the pompous stadium bands with their twenty-minute solos. A typical “event” was Rick Wakeman with his The Myths and Legends of King Arthur extravaganza at Wembley Arena—which was as far removed from reality as you could get. My white mates were totally disillusioned with this soundtrack. ELO, ELP and Rick Wakeman’s tunes said nothing about working class youth trying to survive in mid-seventies Britain. The popular music of the time no longer spoke for the people—well, none of my mates, anyway. We didn’t know where California was, never mind being able to check into a goddamn hotel. The British establishment had managed to alienate its own white youth; politically, musically, artistically and in just about every other way possible. As a first-generation British-born black of Jamaican descent, I was already well pissed off, so it was inevitable that we shared a sense of disillusionment. A lot has been made of the interaction between the punk and reggae scenes of the late 1970s. Popular music of the previous twenty years had been informed by black music—the difference was that the punks weren’t being inspired by an alien culture thousands of miles away. They were being turned on by the man next door — more River Thames than Mississippi Delta.

Sid Jeanette

As I was behind the counter every day at Acme with Tappa Zukie’s MPLA Dub booming out of the speakers, I started to notice the same white faces coming down to the basement. These guys were checking me out and I was checking them out. It was like some kind of macho stand off, like in a Peckinpah Western. The guys were John Lydon, Paul Simonon and Joe Strummer. Initially we said nothing to each other and just observed. It was Jeannette that got to know them at first, and I was pretty pissed off as I did not want anyone to steal my thunder — or my girlfriend. Maybe, if it had not been for Jeannette, I would have stayed like that. Eventually everyone dropped their guard and we started talking about reggae and dub music whilst sharing a spliff in the basement. I quickly became friendly with Strummer and Simonon, but John Lydon caught my imagination in particular. John had an aura that attracted people to him, which I believe stemmed from the fact that he was very self-aware. Joe Strummer was smart too. Joe and John were the brains behind what was emerging. These guys were already into reggae and were seriously interested in the stuff I was pumping out. They were familiar with tracks like “Liquidator” and “The Return of Django”. Paul Simonon had grown up in Brixton and Notting Hill and was well informed about Jamaican culture and the music.


I was coming in with King Tubby and Lee Perry’s heavy dub. I was also playing things like Keith Hudson’s Pick A Dub, a set of records called African Dub Chapters 1,2 and 3, the Big Youth album Dreadlocks Dread and Tappa Zukie’s Man Ah Warrior album. King Tubby meets the Rockers Uptown by Augustus Pablo was my theme tune. Lydon and the Clash guys liked the music that I was playing in the shop and we realised that we had a shared interest. They dug the bass lines, the rebel stance and the musical reportage aspect of the lyrics. In other words the tunes were about subjects and themes they could relate to. It has to be said they didn’t mind the weed either. Because of the position I was in at Acme, we gravitated towards each other. I can remember later hanging out with John Lydon after the Pistols’ gig at the Nashville. We went back to my house in Forest Hill and spent the whole night talking about reggae music and Jamaican culture. We also used to hang out at the Roebuck in Chelsea, which became the punk rock pub, so to speak. We also used to go to a restaurant called Up All Night on the Fulham Road after we’d been to the Roxy. Sid used to tag along with us. We’d be eating our food and he would be annoying the other customers by burping in their faces or trying to fart on them. Sid used to do things that would draw attention to him. It was sad to see him take on the Vicious person.


Now I was the man when it came to compilation tapes. In those days they were cultural currency. People like Lenny Kaye and Patti Smith, John Lydon, the Clash and the Slits would take them out on the road with them. Patti walked in to Acme one day with Lenny. They had found out I knew Tappa Zukie and they were crazy about his album Man Ah Warrior. Patti expressed an interest in meeting Tappa and invited us all to her sold out gig at the Hammersmith Odeon. So we’re standing in the wings watching the show when Patti pulls me on stage and hands me her guitar. We’re live in front of 3,000 people. I had never been on stage in my life and could not play guitar—worries! I decided to front it out and pretended to play. Dark glasses hid my terror. Tappa and Jeannette are laughing their heads off in the wing, so I grab Tappa and pull him onstage swiftly handing him the guitar! Breathing a sigh of relief I try and exit stage left, just as Patti decides to hand me her mike, BLOODCLAAT!!! She grabs another guitar and lies down on the floor at my feet. I break into my heaviest Jamaican accent so that no one could hear that I didn’t know what I was babbling about. Needless to say there was ’nuff “cramp and paralyze them and those who worship Babylon” type stuff to cover the bluff. I look to my right, Tappa is rocking pretending to play guitar, I look to my feet, Patti is writhing on the floor, I look at the audience and they’re loving it. Jah Rastafari!

Read all posts by Don Letts HERE.

Don has been working on a series of short films exploring 60 years of British subcultures and the music, styles and attitudes that surround them. The films will be shown on Channel 4 once a week from Thursday 31st May, at 12:30am (half past midnight). For more information, visit the Channel 4 website HERE

Don Letts - Culture Clash, Chapter 2

Last week we introduced the multi-talented Don Letts as Guest Blogger on the site. Don has been joining the counter-cultural dots for decades and will be sharing extracts from his book Culture Clash over the next few months. In Part 1, Don set set the scene by introducing to his parents and a Funky London Childhood. In Part 2, Don introduces us to his brothers Derrick, Desmond and Norman and their lives growing up in 60s London.

What's Happening Brother?

I really don’t remember much about my eldest brother Derrick as he was from a previous relationship on my father’s side. If my memory serves me well, he came over from Jamaica not long after my parents settled. He was already into his troublesome teens and the inevitable generation clash occurred. Since we were considerably younger there was little interaction between Derrick and the rest of us. This situation was further polarised by the ‘isms’ and ‘schism’s’ of being a black teenager in an alien culture. All I remember about Derrick was the grief he got from our parents as he went through a kind of sex, drugs and rock’n’roll rights-of-passage—or at least the sixties black equivalent. He was the first one to introduce me to the concept of “style”; part of his ‘rebellion’ was his adoption of the fashion statements of the time; mohair suits, white roll-necks, dark glasses, all backed by an Otis Redding soundtrack. I guess he was a kind of black mod as he looked like one of the few black guys you’ see in the audience whilst watching Ready Steady Go. It wasn’t long before he became a regular at the Ram Jam club on Brixton Road. It was the place to be, Geno Washington and the Ram-Jam Band was the resident entertainment. Derrick also introduced me to the delights of international cuisine. To a working-class kid chow mien from the local Chinese take-away was pure exotica back then.

Derrick 1


Now Derrick hung out with the other local teenagers many of whom were white mods all of whom looked equally undesirable to the prudish Jamaican parents who were careful to tow the line in their new homeland. My parents had framed pictures of the Queen in our living room for Christ sake. My generation was better educated and had a more worldly view, and there was no way we could follow them down that path. We thought, “Hang on, we have got f*ck all to be grateful for.” Perhaps they were a little envious of a new black British generation who were trying to find their own place in the world and create their own reality. Consequently late-night shouting matches with Derrick about clubbing, or about the ‘type’ of girls he was hanging with were the first signs. Locking him out when he missed a curfew soon led to, “If you think you’re a man now you can find somewhere else to live”. At eighteen years of age Derrick did. My father used that line two more times in his life.

Me And Des

Me & Des

Desmond—now there’s a character. He was from a previous relationship on my mother’s side and like Derrick he too was brought to the promised land to suffer a very similar fate. But since Desmond was much closer in age to Norman, and me we consequently spent more time together as he was frequently put in charge of ‘looking after us’. He soon worked out how to turn this burden into an advantage.  For example he’d take Norman and me to the local comic shop to liberate the latest DC comics, and guess who carried the bags? When Desmond was about fourteen he got into some trouble for shoplifting with some friends in the West End. Since they were all juveniles, the police let them off with a scolding. My parents were so incensed by the fact that Desmond had caused the unbearable shame of the police knocking on our front door—and in front of the neighbours too - that she told the police she didn’t want him back. Desmond was shipped off to a home and my parents didn’t speak to him for about five years. However before he was exiled he had plenty of time to abuse and use us two ‘stooges’ with a charm that was to serve him well in later years.

Norman The Tree House Without A Tree

Norman and the House without a Tree

 He used to lock Norman and me in a cupboard when we pissed him off. Since he was the oldest and had to look after us while my parents worked Norman and I spent a lot of time in that cupboard. In those days us boys all shared one room, the toilet was outdoors and seemed miles away, especially in the winter. To relieve ourselves, we had a communal piss-pot, which became dangerously full by morning. Since Norman and I were the smallest, the deadly task of emptying the chamber pot was left to the more responsible Derrick and Desmond. The task was bad enough when Derrick was around (more people, more piss), but since he’d gone it was Des’s duty to negotiate the two flights of stairs each morning. It was only a matter of time. It was the loose carpet on the stairs. I doubt Desmond will ever forget being drenched in urine that had been left to brew overnight.  We had no indoor bath so in summer Norman and I would wash in an old zinc bath in the garden. This was a source of great entertainment to the ‘Greeks’ ugly daughters and even greater embarrassment to us. Now I come to think of it, I never saw my parents in that old zinc bath. Later on it became Desmond’s duty to escort us to the public bathhouse in Camberwell every Friday night. A peculiar place, the very thought of which makes me shudder to this day. You had to holler, “more hot in number four,” when you needed more water. Of course Des decided it was more economic if Norman and I shared. But anything was better than hearing the sniggering of the ugly Greek girls.

Times had changed and so had the soundtrack! Desmond’s was Hendrix, Sly and the Family Stone and Funkadelic. Des had got a job in a Carnaby Street record shop, which in those days was a gateway to a world most people could only read about. And the sign above the door read: SEX, DRUGS AND ROCK’N’ROLL in great big letters. Des had a foot in the door, and I was his brother.

Tune in for Chapter 3 'Old School' in the first week of March. Don is currently working on a unique documentary film celebrating 60 years of subculture. To find out how your footage could feature, read more HERE

Don Letts - Culture Clash

“There weren’t that many black punks around during the late seventies. I used to dream of being a DJ like Don Letts. I loved the way that he integrated reggae into the punk scene" - Daddy G, Massive Attack

Over the next few weeks we're honoured to have writer, musician, director and social commentator Don Letts acting as a Guest Blogger on the site. Contributing extracts from his book 'Culture Clash', Don will tell his story first-hand.

Don Letts Intro

Don Letts

Culture Clash summarises a man whose life has found him continually balanced between two poles: the predominantly white world of art/fashion and film-making in the UK on one side, and the black sensibility of Jamaican reggae, hip-hop and black politics on the other. Few artists have so successfully managed to unite these disparate elements as has Don Letts. Referring to himself as a first-generation British born black, it is this upbringing that has given him his unique viewpoint. Just picture the sight of a dreadlocked black man DJ-ing in a club full of thrashing white punks, playing dub reggae and rolling spliffs for punters. But Letts is quick to point out "the assimilation of Jamaican culture within the ranks of white youth had actually begun years earlier through their discovery of Ska and Blue Beat.  Letts was the reggae expert to the major players on the punk scene and was instrumental in introducing dub reggae to suburban kids via the Roxy Club and the fashion shop he managed called Acme Attractions in the mid to late seventies. For their part, the punks taught Letts an important lesson in DIY. As Letts puts it, “what I learned from the punks—besides the fact that we became closer by understanding our differences, and not by trying to be the same—was to make my problems my assets, and that a good idea attempted is better than a bad idea perfected. Punk wasn’t just a soundtrack or a uniform that you’d wear for a day it's a frame of mind, an attitude that informs how you do what you do."

Following his departure from the Clash, Mick Jones asked Letts to join his new band, Big Audio Dynamite. B.A.D  combined reggae bass-lines from Jamaica, hip-hop beats from New York and a very British rock n’roll guitar sound courtesy of Mr. Jones. Over nearly four decades Letts’ work has spanned black and white, film and music and when not behind a camera he can still be found DJ’ing his dub-reggae soundtrack nationally and internationally. He currently hosts his on show on BBC 6 Music called unsurprisingly 'Culture Clash Radio' show. In this first extract, Don sets the scene by introducing us to his childhood as a British-born Jamaican in London.

 Funky London Childhood

My earliest memories go back to Brixton where I lived with my parents and my brothers Norman, Desmond and Derrick. I was born in London on the 10th January 1956 the same year Elvis Presley entered the charts with “Heartbreak Hotel” and Hitchcock’s ‘The Man Who Knew Too Much’ was showing at the cinema. My parents had to become Anglicised to get by. It is what that generation tried to do and as first-generation British born blacks we saw that it was not really working out for them. My father worked for London Transport driving a Route-master bus, progressing to being a chauffeur for the New Zealand High Commissioner in later years. My mother was a dressmaker. Now in my parents’ eyes, certain things were just not done. For instance you could not speak disrespectfully - like saying ‘no’ in the wrong tone, or giving them bad ‘looks’, and you definitely couldn’t ‘kiss’ your teeth.

St Letts

My Father, St. Ledger Letts

Any of these transgressions were dealt with swiftly. My mother would hit us with anything that was within easy reach. I still bear a scar on my hand from a bread knife! My mother’s expertise lay in a swift and deadly execution of punishment—how just, was another matter. My father added mental as well as physical punishment to his armory. If we committed an offence the torture would be signposted with; “Wait till your dad gets home”. Depending on what time of day it was, this could really mess with your head—not to mention your underpants. But I must make it clear that the memories of my upbringing are not that of abuse or anything of the kind in fact quite the contrary. My parent’s generation made many sacrifices during their life so that we could have a better one. 

Valerie Letts

My Mother, Valerie Letts

For bigger crimes, like those spawned by the long summer holidays, either a switch from a tree which grew in the next-door neighbours’ garden, or dad’s belt swung into action. Norman, as the youngest, got it worse ’cause we were older and could lie more convincingly. When we broke the bed by using it as a trampoline—although I was the fattest, and Desmond was bigger than both of us—of course it was little Norman that got blamed. When Desmond broke the kitchen window, we three swore blind that a stone thrown by the ‘Greeks’ some ten houses away had caused the damage. My mother was like Mike Tyson in a skirt when she was angry—ask the ‘Greeks’. For example, I remember that I was on the receiving end of grief from some skinheads and had to make a tactical retreat home. My mother heard them shouting “nigger” this, and “wog” that in the street and stepped boldly outside, trusty bread knife in hand. The gang did the right thing.

Don Letts Child

A Young Don at the Wheel

The long summer holidays were an ideal time for the committing of childhood misdemeanors; not that us boys needed much excuse. For example, the time we decided to get rid of the tree that supplied the branches to which our young skin was so familiar come punishment time. Inches into the trunk with a tiny hacksaw we realised that the tree would be missed if we managed to hack it down. “OK, let’s make some tree poison,” we conspired. A brew of ingredients was picked from the kitchen (which, as all young boys know, is really a science laboratory). Bleach, soap powder, vinegar—anything we could get our hands on - were mixed to a very precise recipe in a large bucket. But just before we poured it onto the tree’s roots we realised that if the tree died, questions would be asked, licks would be delivered, tears would roll. So we swiftly aborted the plan and disposed of the poison by throwing it over the wall into next-door’s garden, and in the process over a bed of sunflowers. After dinner we heard the wailing of Miss Harris, the gentle old granny-type who was our next-door neighbour. The whole Letts tribe ran into the garden to see what was up. She looked like her world had collapsed and in a way it had. The once towering sunflowers no longer reached for the sky but lay flat against the soil: dead. We, like everyone else, threw our hands up in utter disbelief. After all, we believed our poison was made specifically for trees, not sunflowers. The episode proved to be a double-disaster for us boys, as the sunflowers supplied the bumblebees around which we used to tie a length of thread and then fly like little kites. When we got bored with that, we’d let them go, only to watch them fly off into the overhead telephone cables where they flew around and around in decreasing circles to eventually die trapped by the pieces of thread.

Father And Son

              Letts the Father, Letts the son

Two other incidents from my early childhood were to leave a deep impact on me. One for more obvious reasons than the other. During yet another school summer holiday Desmond, Norman and myself decided to play Batman. Now if there was ever a really stupid thing to do Norman was usually first in line as the youngest. But on this occasion it was somehow decided that I would be the one to jump out of our third story bedroom window. Unfortunately Fatman couldn’t hold on to the rope that was too thin in the first place. I must have hit the ground at 60 m.p.h with severe rope burns to both hands. The other was the time me, Norman and ‘Cherry Nose’ (a neighbourhood friend) went swimming at the local open-air pool. An innocent enough idea, except none of us could swim. We’re daring each other to see who can jump in the pool the furthest and make it back to the edge. Must have been that extra weight! Once again it’s me that’s watching my life flash before me as I’m flailing around out of my depth and drowning, quite literally. The next thing I remember is having my chest pumped by a white guy on the edge of the pool. How I survived those summer holidays I’ll never know.

To find out how you could be part of a unique Don Letts documentary celebrating 60 Years of Subculture, click HERE